​I am drawn to the instability of form and the subtle friction between body, space, and environment that gives rise to emotional tension. Through sculptural painting and the construction of non-rectangular canvases, I seek to break the conventional boundaries of painting—liberating it from the wall into space, where it becomes a multidimensional vessel that holds movement, flux, and transformation.

​

My works are often composed of assembled, misaligned, and flowing forms that preserve a sense of breath between gaps and disturbances. I explore the temporality embedded in memory and experience—its pauses, flows, cycles, and endings—to reveal the dynamic qualities that exist within stillness. In viewing, form, light, and memory merge, refract, and delay one another, like a sequence of static yet continuous frames.

​

Continuing to employ traditional painting materials as my core language, using them to blur the boundary between painting and installation. This act of blurring is not only a formal experiment but also a reflection of the porous and transformative relationship between self and world. Through spatial fragmentation, the melting of memory, and the undulation of time, I search for new ways of perceiving the world. Each person’s shape is formed through collision with the world—always unfinished. Painting and body remain in vibration, open, and continually becoming.

​

我關注形式的不穩定性，以及身體、空間與環境之間的微妙摩擦所引發的情感張力。透過雕塑式繪畫與非矩形畫布的組構，我嘗試打破繪畫既有邊界，將其從牆面解放至空間之中，使之成為能容納流動、游移與變動的多維容器。

​

我的創作常以拼湊、錯位與流線的形體組構而成，在不穩定的排列中保留空隙與擾動之間的持續呼吸。透過記憶與經歷所蘊涵的時間性，去解構其停滯、流動、循環與終結的狀態。以此探討我們生活中看似靜態但動態的特徵，呈現它們的持續和中斷，在觀看的過程裡，形體、光線與記憶相互滲透、折射與延遲，如同捕捉每一秒靜態畫面的連續關係。

​

我持續以傳統繪畫媒材為核心語言，探索並模糊繪畫與裝置之間的界限。「模糊」的行為對我而言不僅是形式實驗，更象徵個體與世界之間的滲透與轉化。透過空間的割裂、 記憶的融化與時間的起伏，去探索一種全新的觀察世界的方法。每個人的形狀是在和世界的碰撞當中形成，而都在未竟之中。繪畫與身體一同保持顫動、開放，並持續生成。